As a young girl, I was too intent on getting to London and drama school and out of east Yorkshire to think about winning Oscars. I did win a Bafta once, and was so unprepared for it I jabbered on for a minute - a minute too long.
My favourite moment from the Oscars was when Brando didn't attend and sent a Native American woman to talk about Wounded Knee. She delivered a very unpopular and lengthy monologue about the injustice for indigenous people in North America. It was one of the greatest moments in American television.
I feel that it means a lot to the people of Iran that my film is represented at the Oscars, and it makes me happy to bring them that joy, that I'm representing them and that I'm able to give them that element of pleasure to be the envoy from Iran. It's a very pleasant thing.
My whole life has changed so much, and it's still constantly changing, but 'Moonlight' brought about a bunch of opportunities that were really surreal, from the Oscars and Golden Globes to the notoriety that it brought, to even doing things like working with Calvin Klein.
For American filmmakers, the Oscars is like a mystic thing. For me, it was being in a mirror of my dreams when I was dreaming of Hollywood when I was an adolescent.
Often, I dream about work. For instance, the night before the Oscars, I dreamt about the Oscars and I dreamt about who I wanted to interview. Interestingly, one of the people I really wanted to interview was Keanu Reeves, and then we got him. We had never interviewed him before, so that was lucky. Or maybe it was fate - I don't know.
I do think I'm lucky I met Michael. Not just Michael Douglas the actor and producer with two Oscars on the shelf, but Michael Douglas, the love of my life. I really do think it was meant to happen.
Jimmy Kimmel has proven to be a preeminent voice in comedy, with 15 seasons of 'Jimmy Kimmel Live' under his belt and successfully tackling the herculean task of hosting both the Emmys and the Oscars in the same season.