Foxes was a movie that didn't do a lot of business but it didn't do too badly critically and eventually they offered me other things. The interesting thing was that next I tried a film called Star Man, which Michael Douglas was producing.
In my grammar school years back in the 1920s I used my ten-cents-a-week allowance for Saturday matinees of Douglas Fairbanks movies. All that swashbuckling and leaping about in the midst of the sails of ships!
I do think I'm lucky I met Michael. Not just Michael Douglas the actor and producer with two Oscars on the shelf, but Michael Douglas, the love of my life. I really do think it was meant to happen.
If you look at Buster Keaton or Douglas Fairbanks movies, what still amazes you today is their physical ability. The only special effects that never grow old are what you can do with the human body.
I went through a big Kurt Vonnegut phase. But the writers who made me decide at a very early age that this is probably something I wanted to do were Stephen King and Douglas Adams, when I was probably, like, ten years old.
I'm always being introduced as 'Tony Award-winning Douglas Hodge.' It's extraordinary.
You look at a guy like Lance Armstrong, and you have to be inspired. I sat next to Kirk Douglas the other day, and he's inspiring for fighting through his stroke.
In a little over six minutes, 17 of our friends were taken from us. Fifteen were injured. And everyone - absolutely everyone - in the Douglas Community was forever altered.