I remember, my mom, she's lived in Spain for about thirty years, and we were playing the Royal Albert Hall, and she was with some friends from New York. Morrissey came out with the sign 'The Queen is Dead,' and my mom's friends are like, 'Oh my God.' They took it literally.
I'm always dealing with this sadness. I don't want to be Morrissey or anything, but it is a thing I deal with it. Every day, when I wake up, I have to make a decision to fight this depression. That sounds horrible but I'm fine with it; it's who I am; it's my life. I try not to let it cripple me.
In college, I didn't know whether to hang out with the black kids or the white kids, and then I found the theatre kids, and I was like, 'Oh, it doesn't matter.' We were all weird and listening to Morrissey and wearing Doc Martens so that was my tribe.
I rate Morrissey as one of the best lyricists in Britain. For me, he's up there with Bryan Ferry.
If Morrissey could be a singer, then anybody could.
I write great songs and the mistakes make them even better. No one else could write a Morrissey song.
I kinda learned to sing singing to Echo and the Bunnymen songs and Smiths songs: Morrissey would be a big favorite.
Couples without kids have each other, their friends, families, and Siri to talk to. It's not like they're quarantining themselves in an underground bunker, never to take a romantic stroll on the beach or attend a Morrissey concert ever again. They're just using birth control.
The paradox is that I have no love for myself as a human being, but I have immense pride in the music I make, and I believe it has an important place. Others do, too, and the thousands of people with Morrissey tattoos certainly proves something.
At one point in the mid-Eighties I shared a promoter with the Smiths. One night, we were sitting backstage when Morrissey burst in, utterly distraught, sobbing his heart out. Turns out someone had thrown a sausage at him on stage during 'Meat Is Murder.'
