If I'm making consistent contact, even if they're outs or right at somebody, if I'm just making consistent contact, I'm happy.
As a kid, I was always into art at the same time as computers, and eventually I realised I was making more interesting stuff with my keyboard than with my hands. I really enjoyed modifying computer games more than playing them, so that got me into programming.
And I'm not so in love with making people mad that I want to live my life around it.
When I sang, I couldn't help making those little curves. People would say, 'Why don't you sing straight?' But I have always had to put something in.
If you had told me I'd be making 62 tomorrow, I'd say you were lying.
The oceans are more or less in disrepair. Long Beach really is making an effort to acknowledge this, and that's a great place to start. I'm trying to spread at least the knowledge that it's never too early to take care of our oceans and our environment.
I didn't come from any money, but even when I was on 'Big Love' - people think you're on a series and you're making bank.
My heart is in independent film-making. For me, it's where the fun, gritty storytelling is being told.
I think you need to be intentional at times about your leadership - where you're eating lunch, who you're interacting with, making guys feel like you're interested in what they're doing. If it's authentic, then it's going to be an easy conversation and easy hangout time.
I'm more comfortable writing traditional protagonists. But 'Steve Jobs' and 'The Social Network' have antiheroes. I like to write antiheroes as if they're making their case to God about why they should be allowed into heaven. I have to find something in that character that is like me and write to that.
