I did a 20-minute selection of scenes from the play 'Spring Awakening' in college, well before the musical came around, so when the musical was becoming a hot thing, and I was reading interviews with Duncan Sheik about how he came to do the music, I think it's interesting.
I share personal things about myself in the context of my interviews and in 'It's Messy' - but that's 20 percent of my life.
I don't like to do a lot of interviews.
I was crashing with a boyfriend on his couch in Fort Green. At first, I was temping - insurance agencies, nonprofits - and then, in between temping, I was going on job interviews, and I could name 12 publications, some of which no longer exist, that didn't even call me back or interviewed me and had no interest.
When choosing between two similar applicants, hiring managers are increasingly turning to social media outlets to supplement information they are unable to glean from applications or interviews.
When 'I' released, I gave a couple of interviews in which I expressed my interest to play an action heroine.
Unfortunately, the reporters ask the same questions over and over again. When reporters keep asking the same questions, they've got to recognize I may hear these questions 20 to 30 times in a matter of days. It gets to the point where I think, 'Read the other interviews!'
I don't do interviews without a collared shirt.
I've always felt like there's a certain amount of doing what I do, and performing and making records and doing interviews and photo shoots and that, that are kind of a necessary evil of getting my music to people's ears to hear. Over the years, I've just become more tolerant of that.
One day I'm lugging walls back and forth in Louisville, and the next day I'm at Cannes giving interviews next to Ben Kingsley. I'm nowhere near cynical or jaded enough not to be incredibly thrilled by that.
