All those crazy Impressionist painters in France were friends but they would write about how jealous and competitive they were. That's what makes good art.
I'm not an impressionist, per se, but if you do any kind of comedy - and they ask you to do that, most of the time - there's some degree of appreciation, I think, involving somebody you like.
A really good impressionist, even if they don't look at all like the person they're impersonating, it's a weird thing where they start to look like that person. It's kind of odd.
I've never been an impressionist. I was doing Sofia Vergara and Elizabeth Dole. I'm sometimes so low-confidence and self-aware, so characters that are confident and ignorant and wrong are my favorite.
I started out as an impressionist and that's all about observing - how people move, their voice quality, their attitudes and quirks.
If the technical innovations of the Impressionists led merely to a more accurate representation of nature, it was perhaps of not much value in enlarging their powers of expression.
I have 7,000 DVDs and Blu-rays. I have thousands of books - thousands - and roughly 15,000 comic books or something like that, hundreds of books about different art movements - the symbolists, the dadaists, the Pre-Raphaelites, the impressionists - you know, that I consult before I start every movie.
Trump's hobbled vocabulary is now the incontestable stuff of comedy: not just how few his words but how narrow their range, from boastful to irked and back again. For satirists and impressionists, a president who addresses the American people in abbreviated tweetspeak is a gift.
If you think about art, if you look at Rembrandt and Vermeer and Caravaggio, if you look at Turner and Constable and all the Impressionists and the Hudson River School, there's a tradition of light in art, especially painting.