You know, we've got so much on Bravo and coming up on Bravo, and I think we have so much more going on than 'The Real Housewives.' And I think 'The Real Housewives' is a great, you know, great addition to the portfolio. I think it brings a lot of viewers under our umbrella. And I think they stay and sample other shows.
I wanted to tell a dream-come-true story about going from a closeted gay kid who loved pop culture to an out adult man making pop culture. I went from being told when I was 21 that I should never go on TV because of my crossed eyes to winding up being a 'Housewives' whisperer and talk-show host.
By and large, mothers and housewives are the only workers who do not have regular time off. They are the great vacationless class.
'Dancing with the Stars' is a great format for us. It's a format we license from the BBC, so that can't travel for us, but we consider it a great success. 'Desperate Housewives,' on the other hand, a huge success for us internationally. 'Missing' has actually sold to 80 territories before it's even gone on the air.
Housewives run the home and sacrifice a lot, but many people forget that.
Those women with collagen lips just look like frogs - 'muffin mouths,' I call them. There's not a line on their brows, and all the emotion gone from their faces, like all those actresses in 'Desperate Housewives.'
I have always approached 'Housewives' as a comedy.
Housewives of the 1950s were supposed to create show-stopping meals every night for their hard-working husbands.
You can't always tell if someone's gay over Twitter, but when he's talking to you about 'Real Housewives,' it's probably OK to assume.
What we love about the character Katie, played by Katy Mixon, is that she feels very universal and very relatable. And what we love about 'American Housewife' is that it feels like it could speak for housewives from New York to Los Angeles, from Boise to Miami.
