The idea of doing a production of 'Carousel' that doesn't feel like it's stuck in the 1950s really intrigues me.
If you look at military and intelligence positions from the 1950s, the Israeli-Palestinian conflict has always been against American national interests.
It was not until the civil rights movement of the 1950s and '60s that Congress got serious about the assignment laid out in the post-Civil War amendments.
James Goldsmith is important because he used the power of the markets to break up the cosy patrician elite that ran Britain and its industries in the 1950s and '60s. In the process, Goldsmith helped transfer power in this country away from politics and towards the markets and the financial sector.
Back in the 1950s, America set out to intervene in Syria, liberate the people from a corrupt elite, and bring about a new democracy. They did this with the best of intentions, but it led to disaster. And out of that disaster, the Assad regime rose to power.
I grew up in the 1950s and '60s, when it was almost a holiday when a black act would go on Ed Sullivan.
Polymer synthesis in the 1950s was dominated by Karl Ziegler and Giulio Natta, whose discoveries of polymerization catalysts were of great importance for the development of the modem 'plastics' industry.
I grew up on Stephen King, reading the books. I love the small town, 1950s feel to it, that nostalgia, and that old America. What happens when something weird starts happening to all these people, something other-worldly, something demonic?
In 'Where the Air is Clear', Carlos Fuentes composed a polyphonic portrait of Mexico City amid the growth and modernization brought on by the economic boom of the 1950s. The novel can be read as a jazz interpretation - free and in a Mexican key - of John Dos Passos' 'Manhattan Transfer'.
I search for items that have history, like vintage finds - I love fur kitten-heel house slippers from the 1950s - and pieces from fashion houses that have been around for a long time, like Chanel and Dior.
