I think I'm the first 1990-born guy to win a Masters 1000, so it's quite special to be the first one in a very strong group of guys. There are a lot of guys playing great, and hopefully there are going to be a lot more coming.
I watch quite a lot of my matches with Arsenal, and when I look back and see what I didn't do right, I try to learn from it, which hopefully facilitates my progression.
That's the beautiful thing about being an artist, is you can take risks and take chances and hopefully be secure enough to just keep going with it if you fall flat on your face.
I think you leave your imprint on every screenplay. I like to bring my experience as a woman to all my female characters that hopefully makes them a little more layered and complex.
I've been rewritten on past projects and thought, 'That's not what she was - she was this really powerful woman, and there's nothing wrong with that.' I'm going to keep writing them, and hopefully people will start making them.
At the core, I try to write characters who are real people with real insecurities, fears, hopes, and dreams, which is why hopefully readers can identify with them.
I would never regret joining a club like Chelsea, and hopefully I will be a long time at Chelsea.
I am attached to an incredible script called 'Wonder Drug,' about the DES drug disaster. It's a female-based drama, and I am so proud to be a part of because hopefully it will help evoke change - not only in our industry, but in the battle again corruption in big pharma.