I was really intrigued by the idea of using live streams of data that's relevant to real people, and that would allow us to reflect and learn about ourselves.
If you make an authentic political film, which talks of real people and real events, in a politically conscious country like India, it is but natural that people will react to it in different ways and there will be a collage of opinions.
I don't live in L.A. on purpose because I don't wanna be immersed in that. I have to have a real life, with real people, in order to inform what I'm doing; otherwise, it just becomes the snake eating its own tail. Vampirism.
I like performers who I know are for real. You can tell, man, there's an intensity about their stuff. You can tell right away they're real people, ya know?
We talk about characters in literature as though they were built on the model of the real person, but then I often think that the way we present ourselves as real people is based heavily on the way literary psychologies are stylized, and I wonder how the two forms of realistic personhood feed on or fulfill each other.
There are definitely a lot of roles I didn't get based off of the way I look, but I'm not going to let that stop me. I'm going to write stories for myself or work with filmmakers who want to tell stories about real people.
If you put a real leaf and a silk leaf side by side, you'll see something of the difference between Homer's poetry and anyone else's. There seem to be real leaves still alive in the 'Iliad,' real animals, real people, real light attending everything.