I slept fourteen feet from a polka tavern as a kid growing up. I heard polkas all night long, people singing and drinking beers and having a great time. I know more polkas than Frankie Yancovic!
'Six Feet Under' was about repressing our deepest, most primal impulses, and 'True Blood' is about giving full sway to them all the time. In a way they are like yin and yang.
'True Blood' differs from 'Six Feet Under' in that there are way more characters and plot-lines, but fundamentally it's still about the characters and their emotions.
In high school, I was the best broad jumper on our team, and I kind of thought that when I got to MIT, I'd probably still be the best broad jumper, 'cause why do broad jumpers come to MIT? But it turned out to actually be the other way around. There was another person in my class who could jump about 3 feet further than I could.
I have a photograph at home of Fred Astaire from the knees down with his feet crossed. It's kind of inspiring because it reminds me his feet were bleeding at the end of rehearsals. Yet when you watch him, all you see is freedom. It's a reminder of what the job is about in general, not just being in musicals.
I come before you to call for unity from all Argentina, to build a new social contract of brotherhood and solidarity. I come before you calling for all to put Argentina on its feet, to put the country on a path toward development and social justice.
I know some people who live this much more insulated life in Los Angeles, where their feet never touch public ground. They walk out of their bathroom, their living room, they get into their garage, their car, and the next thing you know, they're at the valet parking of the restaurant or the store or the office. They're in a bubble the whole time.
Well, there's nothing better than putting your feet up on a Sunday afternoon and grabbing a good book.