So in my personal opinion, I definitely feel like I'm a legendary emcee, and I also feel like we're a legendary brand, which is why I started rebranding ourselves years ago by saying 'The Legendary Roots Crew,' which is how we're introduced on 'The Tonight Show.'
Being an emcee onstage is mostly about crowd control, about monitoring energy levels.
One of the things I think you need to be a good emcee is silliness. And I'm basically a silly guy.
When I was growing up, to be an emcee meant to write the most clever, intellectual, and wittiest rap. And that's what we did.
A good emcee will rhyme a lot of different ways. Don't limit yourself.
I just enjoyed bar mitzvahs as a kid, and there was this company in the Detroit area where I grew up, and I think they recruited me as a party dancer - you know, like, you dance around and pass out glow sticks. I quickly rose in the ranks and, within a year, became an emcee, which was kind of unheard of.
You can find old Jewish newspapers from Detroit that have my promotional ad in them. It was a totally insane time in my life. Paul Rudd was also a bar mitzvah emcee, you know? It was like being a local rock star in Detroit.
I was an emcee for bar mitzvahs from age sixteen to twenty-one.
I emceed in metro Detroit throughout college, and even when I moved to New York, I would actually fly back on a Friday, emcee on a Saturday, and fly back on Sunday so that I could audition during the week. It was a big part of my life.
The subject matter of the show, 'Cabaret,' was more than risky. And the emcee I would be playing didn't have a single line of dialogue. Still, it was full of possibilities, and it was mine.
