When depicting Asian people in movies, books, and television or as historical figures, it's more important to humanize them and give them all of the dimensions of humanity, and that includes sexuality. Ascribe the human the full range of human qualities.
Why can't I make up my own characters and paint the people I want to see in the world? I'm depicting the many people who existed in history but whose presence was never documented.
One of the things I love about 'Rubicon' is I really recognize the New York City that they're depicting in it, having lived here for 15 years.
The concept of 'DAM999' is very interesting, which director Sohan Roy has written. The entire idea was to capture or encapsulate the nine rasas depicting different human emotions in the backdrop of dam disaster.
When I wrote my eighth thriller, 'Inside Out,' in 2009, the villains were a group of CIA and other government officials who colluded to destroy a series of tapes depicting Americans torturing war-on-terror prisoners.
It was my effort, in depicting the West, to depict it as it was.
My manager sent me the first two scripts for 'True Detective,' and I just thought they were so interesting and that the world they were depicting was so titillating to me.
History has proven that art depicting black people cannot be disentangled from the political implications that such art has on their lives. As Africans were being stripped from the continent and sailed across the Atlantic to the Western world, depictions of black people in Western art changed in order to further render them racialized caricatures.
Everything 'Atonement' does, it does incredibly well, including depicting characters of varying ages and temperaments and showing the intensity of early romantic love and connection and the very different intensity of haunting regret.