It is indeed fitting for me to make a comment to the effect that it takes a village to raise a child because I have lived in many villages down in deep south, and everyone there who played a part in my stewardship as a young man growing up and as a professional, they have given me unstinting support.
Sure, there's a chunk of African-Americans out there who associate the Republican Party with racism, frankly particularly in the Deep South. It's an unfair perception, but it exists. Over a period time, that perception will die away if Republicans are focusing on issues that happen to impact African-Americans.
Eudora Welty's 'A Curtain of Green' had an enormous effect on me. But my early attempts to graft stories from the Deep South onto North of England provincialism were not successful. All were rejected.
New Orleans may well have been the most liberal Deep South city in 1954 because of its large Creole population, the influence of the French, and its cosmopolitan atmosphere.
As a kid, I felt I had it bad - and people where I came from did - but if I'd been in a similar position in America, it could've been 10 times worse. We have the NHS. We don't have slums like I've seen in the Deep south, or shocking intolerance.
Early on, one of my favorites was Ray Charles. I remember hearing 'I Can't Stop Loving You' in the early '60s and thinking, 'What an unbelievably soulful voice.' In those days, the Deep South was extremely segregated.
Many of the master chefs in the South, both the upper South as well as the deep South, were blacks and many of those people came here to Washington, D.C., and opened up establishments. Very, very few of them have survived. But they certainly were very prominent.
The Deep South has a completely different history, both good and bad, that is fascinating for everybody. It makes people work together who usually don't, and that sounds like a cliche in so many ways, but it actually happened... and it happened because of a beautiful idea.
Quite a few of The Rolling Stones records have had a great honesty about them. In fact, I would put them side-by-side with a 'Treasury of Folk Music' collection, containing all the prison songs, the farm and road-gang songs that were recorded on the spot in the Deep South.