I've been singing properly every day since I was about fifteen or sixteen, and I have never had any problems with my voice, ever. I've had a sore throat here and there, had a cold and sung through it, but that day it just went while I was onstage in Paris during a radio show. It was literally like someone had pulled a curtain over it.
Blow the dust off the clock. Your watches are behind the times. Throw open the heavy curtains which are so dear to you - you do not even suspect that the day has already dawned outside.
It's nice to be able to show how we are like in person and give a peek behind the curtain with 'Total Divas.' That's been my biggest feedback is how different than I am behind the scenes than I am onstage.
If you travel to the States... they have a lot of different words than like what we use. For instance: they say 'elevator', we say 'lift'; they say 'drapes', we say 'curtains'; they say 'president', we say 'seriously deranged git.'
Believe me, it jabs you. When you're on the side of buses and New York loves you, you love to go out there every night. It's like a race. Curtain opens, out you go, and New York is yours.
Why do we need to wait until somebody sells 10 million records to give people a show like that? What about us smaller, hungry folk? At least gimme a curtain!
The biggest moment in our business is when you walk through that curtain, and if you don't believe in yourself, the fans won't believe in you or invest in you, and they see that.
My mum - and my granny and I - would close the curtains, turn on the TV and snuggle up and watch 'Come Dancing.' It was actually my granny who was the biggest fan; she loved the show, and she passed on her passion for it to me. I loved the dancing but also the frocks and the glamour.