Anytime somebody climbs up those steps into the ring, they have a heart.
To be a true comic, you have to have a signature move. You ever watch wrestling? And your favorite wrestler has the one move that he always does to finish his opponent off, right? Like when he climbs on the rope, and he always jumps off the top rope and finishes off his opponent - that's what a comic has.
The wish to hurt, the momentary intoxication with pain, is the loophole through which the pervert climbs into the minds of ordinary men.
On climbs, there is a general way we manage fear. We look at things objectively, separating out perceived risk from real risk. You can really bring down the level of fear by knowing the real risks and setting aside the others. You also know that panicking just makes things worse.
You learn over years of expeditions that having faith, and putting one foot in front of the other, you do end up pulling off climbs that seem completely impossible. There's a certain beauty to that. It has an allure.
The climbs up the Hand of Fatima, which is 2,000 feet, and Naga Parbat, which is just over 15,000 feet, were spectacular. The Hand of Fatima and the Kaga Tondo, in Mali, is a personal favourite of mine.
I'm just a pack mule. I've played leads and I've played character roles. Any actress in Hollywood will tell you as your age climbs, the leads thin.
I started getting into decent food after I got a house in Tuscany, near the British cycling academy's training base. For a cyclist, the area is incredible, with the flats of the basin of Florence, the heights of the Apennines and the small climbs around Chianti.
The way I dig in to push myself through mountain climbs is totally psychological. I'm not designed to do that stuff. It's mind over matter.
The higher one climbs the lonelier one is.
