I had experiences or exposure to music in church. I went to a church, it was very unique. It was a predominantly African American Catholic church. So they would have - one mass would be traditional church music, and then the other mass would be gospel music.
I grew up in the north of Chile, and this is why there are a lot of religious symbols in my pictures: because the Catholic Church in Latin America is very strong.
It might kill you to say it, because the film really takes on the Catholic Church, but I do think there is a sort of affection for certain rituals, and an authenticity to the presentation of those rituals, in 'Mea Maxima Culpa.'
I come from a deeply Catholic family. My husband and I were married in a Catholic church; we decided to put our kids into Catholic school.
The language of the Catholic Church - the liturgy, the prayer, the gospels - was in many ways my first poetry.
Ultimately Warhol's private moral reference was to the supreme kitsch of the Catholic church.
I am drawn to Christ but I have real problems with the Catholic Church.
I left the Church of England because there was a huge bundle of straw. The ordination of women was the last straw, but it was only one of many. For years I had been disillusioned by the Church of England's compromising on everything. The Catholic Church doesn't care if something is unpopular.
I disagree with a couple of the stances of the Catholic Church. My older brother is gay, and it's important for me to be able to love him completely and freely, and it's important for me to spread beliefs in the world that are not going to limit people in their love. I can't support a religion that doesn't support my brother.
I loved every second of Catholic church. I loved the sickly sweet rotting-pomegranate smells of the incense. I loved the overwrought altar, the birdbath of holy water, the votive candles; I loved that there was a poor box, the stations of the cross rendered in stained glass on the windows.
