I feel like all my films have my politics. As a film-maker, whatever story you're telling, your value system comes out.
So at 19, I faced my first blank page as a professional writer.
I think actors get paid a lot and technicians don't get paid enough and I think that it should change because a good film, which is like a complete package, needs every single member of that team. I think we need to pay them more.
I have friends and experience from everywhere; I've worked in all kinds of locations and situations and in all kinds of job profiles, so there's a varied experience that comes handy. And there's something nice when you do something you've to push yourself to do it.
When it comes to writing characters, whether men or women, I think a good writer writes good characters. I know many men who, for years, have written strong, progressive women characters.
I want to make a period film, I want to make a film set in another country. I want to make a foreign film. I want to make everything eventually. I am a storyteller. I have many stories to tell.
Because you don't have opportunity to study, you don't have opportunity to further yourself. And you kind of tend to believe your lot that this is what you have been given. I think on some level we have colonised people, our own people.
My biggest challenge was when I had my first panic attack at 27. It's not something you can ignore, you can't sit around and get sucked into a rabbit hole.
Every time you make a film you want to put something out there and that's important to me.
I think there is nothing more important in forming a human being than your family. It is how you have been brought up and been taken care of that eventually is how you will deal with and treat the world.