I like artists with a life, where it's not this universal thing anybody could sing. I want them speaking to me in only a way that they can. To me, that's what makes it good.
What's great about being an opener is that even when you lose, you win. There's no pressure. And no expectations. If you sell merch, you're killing it. But when you headline, you have to sell those tickets.
Things that you might be embarrassed to tell a group about yourself - honestly, that's probably what the majority of the group is experiencing are those things that you keep quiet in your heart.
People might get mad at my style or my delivery and say it's not country. But the country music that brought me to Nashville? Man, I will always have that on a pedestal.
One of the most humbling gigs I've ever had was I was paid by a neighbor to go get a dead bird out of her house. She was kind of a high up in the music business, and she knew that I needed cash, and I used to do some yard work for her.
Sometimes when you belt, it kinda makes the song more dramatic than it really needs to be. There are certain songs that you hear, and you're like, 'Wow, he's singing about his girlfriend, but he sounds kinda mad the way he's yelling, 'You're so pretty!''
I want to be something that the listeners might not know that they needed but that I fill a lane and that they enjoy it for a while.
Back home, the Iron Bowl isn't just a football game, it's a phenomenon.
When I'm in the studio, I'm very cautious about it because if there's one thing that can destroy music being made, it's any sort of agenda, expectation and/or schedule, or any of that.