Thinking about the artists I've loved through the years, my favorites are the ones who've made music with cultural, societal and political significance.
I came from a two-parent household and my father is a PhD from west Africa, but at the same time I grew up five blocks from where Obama lived and five blocks from the projects.
Chicago, I feel, is a microcosm for the segregated, violent environment that is America. I try to not only speak about these things in music, but also try to address these things in real life tangibly with action.
I collaborated with so many people from Chicago - so many Black people, young Black women organizations like BYP100 and Assata's Daughters. Just being out there, I saw what a community mobilizing can accomplish in terms of freedom and how music and my words in my music can play a significant part in that.
I think first of all my purpose is to be me. I didn't come here to specifically be a role model or anything.
I've been combing through the Wolverine archives and advertisements from the sixties and seventies. I'm looking to take inspiration from designs of the past and bring them into the future.
I just stand by the things I believe in and if that upsets people, which it often does, then we got a situation on our hands. Everybody is okay and safe. I'm just blessed to be awake.
So much of my life and my style and sensibility are influenced by skateboarding. It's counter-culture and skateboarding is my introduction to counter-culture.
Anybody who's dealt with addiction and depression knows that sometimes they can make you forget who you are and kind of bring out a different person, somebody you don't know as well.