Everything I do got that bounce to it, that addictive, repetitive sound.
When I first started, all I had was the laptop and some cheap headphones. I ain't have no speakers. You know, no Rocket speakers or no MPC. No keyboard, none of that. It just was the laptop and the headphones. Going from there, it just teaches you a lot.
I want people to see me as the entrepreneur, the boss, the public figure, the person who motivates.
I actually got to work with TM88. He was one of my big influences as far as producing. It was pretty cool. I had met him in California at the crib and it was one of those random meet-ups and we got to working from that point on.
I feel like it took artists like Pimp C and Andre 3000 with 'International Players Anthem' - I feel like it took the Memphis sound to a certain peak but it never really broke into the mainstream.
As far as Memphis being underrated, I feel like a lot of people have slept on Memphis music when it comes to breaking through into the mainstream.
You gotta grind, you gotta make your way. Everybody's got their grind mentality in Memphis.
You know, as I'm progressing with my sound, I just realize when you got a simple sound with crazy percussion in the beats, it makes it. It kinda shapes my sound when it comes to what makes a Tay Keith beat.