You can't leave the house without a toy car if you've got a son.
You know, I just tend to do the scene that I'm given, really. If it really needs it, then I'll go to them and ask 'What's she talking about? What's she referring to?' But often they don't know, or they do know and they're not going to tell me, so I've learned just to work with what I'm given.
I like playing interesting, complicated women.
Oh, I am very old fashioned about my literature taste. I like Henry James. I like George Elliot. I like Dostoyevsky. I like the old people. I really do. I like people who write big, fat, juicy novels you can get completely lost in!
'Lost' holds a very special place in people's hearts and I wouldn't presume to say that 'FlashForward' will replace 'Lost.' I think it provides a lot of the same adrenaline and fascination and entertainment. It will help ease the pain of losing 'Lost!' I think it will appeal to the very same audience.
Minute by minute, you decide who you are and who you're likely to be. You make the choices hour by hour, just in the present. I don't believe there's some roadmap laid out that we're headed towards.
My husband calls me 'throwy-outy' - he's horrified at how easily I dispense with things. People I won't let go of, but things, mementos from shows, I'm not particularly attached to.
'Lost' is an entity of its own. It's still such a culture touchstone that I think it'll be something people go back to for a long time, like 'Star Trek.' I'm just so amazed by the show's popularity.
I had all this other life happening, and 'Lost' was this sort of seasoning - but it was never the main course. It was just this thing that I would nip off and do, so to be recognized for 'Lost' all the time is amazing.
You hope that when you're playing someone possibly unsympathetic that you can bring them something redeeming, something people can hang onto.