I just wanted people to hear the sounds and fall in love and not overthink it. You get a 12-year-old and you'll get a 55-year-old standing next to each other in the audience. They're from different eras of music but they'll feel the same way.
I say I design music. I can imagine it and sort of picture it. I think about all of the things I do in the world and say that I'm designing it because it takes the same skill set.
There's no better feeling than when I go outside and I see the faces of people who paid their money just to see me, that tells me the music is going where it's supposed to and that's encouraging.
There's no real music scene in Guyana, but there's a music space. So there's no scene because there's no economy for it, but there's a space because everything that spills over dancehall and reggae, spills over.
My mom made me read a ton of books, so I got good at words and understood the English language. So when I started rapping, words were something I knew. I learned how to manipulate them so that I could say whatever I wanted to say.
I think it's challenging trying to describe my sound. Not because I'm making some experimental martian music, but because it's a little broader. The things that you've heard are only fragments and small fractions of what you're going to hear.
I make these songs for me. That's the truth. I make them because that's what I want to hear. Long before you ever hear it, believe that I'm in a Porsche with the top off listening to it.