What makes a publishing house great? The easy answer is the consistency with which it produces books of value over a lengthy period of time.
Diana Vishneva is not only a magnificent dancer but a magnificent actress - no one works harder or understands more.
Dickens was born in 1812 and died in 1870, having produced fifteen novels, many of which can confidently be called great, as well as having accomplished outstanding work in activities into which his insatiable need to expend his vast energies - to achieve, to prevail - carried him: journalism, editing, acting, social reform.
'Eclipse' is a concept piece, and its concept centers on 36 large light bulbs strung from above in a geometrical pattern and at different heights, some of them at times down below the dancers' chest level.
We all need each other in publishing to make publishing work for authors in a variety of formats now and in the future. Anyone who thinks publishers don't bring anything to the table has a very narrow view and lack of knowledge about the industry as a whole.
No agent/publisher is in a position to create across a spectrum of media and distribution what major publishers can accomplish for authors.
The mystery of Christopher Wheeldon deepens. Yes, he's the most talented of the younger ballet choreographers - indeed, where's the competition? Yes, he's particularly good at nurturing dancers and identifying their essential qualities.
'Eclipse' is overlong and overly self-conscious, but it isn't a fake or a zero; it just gets exhausting. It raises a crucial question: 'When does Concept morph into Gimmick?'
With literary fiction, generally a film maker falls in love with a book. In commercial fiction, it's a producer or studio falling in love with a book they can make into a movie with worldwide appeal.