Beauty ain't always a little, cute colored flower. Beauty is anything where people be like, 'Damn.'
When my family first moved to Hempstead in the 1960s, they were one of the first black families. It used to be an all-white neighborhood, but there was white flight when the black people with money started moving in. When I was, like, 13 or 14, Hempstead had just become all black, and the poverty became worse and worse.
The aggressiveness of it attracted me to hip-hop because I was angry inside. I was an angry kid because of the sickle cell. So I liked the anger in hip-hop. That's what attracted me to it; that's what made me want to do it. It helped me get my aggression out.
Just having conversations with God, begging God to make the pain go away, and then the pain wouldn't go away. So I'm like 'Who the hell am I talking to? God is not responding.'
A sickle-cell attack would creep up slowly in my ankles, legs, arms, back, stomach, and chest. Sometimes my lips and tongue turned numb, and I knew I was going into a crisis.
You have to find a sound that reflects what our souls feel like inside, how our bodies actually feel. That's why we made our own beats. We couldn't find a producer who could give us the feeling to match our lyrics.
I think the sound of 'The Infamous' came naturally from our lifestyle and some of the criminal things we were doing. We always rap about what we're living, and to put a beat to lyrics like those is hard.
You have people there from all walks of life: people who made mistakes and have to deal with the consequences, mothers and fathers. You wouldn't expect them to be behind bars.
In the beginning, we might have been focused on totally just music and being famous, just wanting to have fame and make hot music, but as we got older, we had to understand that this is a business and that our moves need to be calculated.
Obama represents one-world government, a.k.a. Neocolonialism. Presidents don't change anything locally - they only deal with foreign policy.