All my films represent my own needs and wants.
I started buying films a couple of years ago. The first film-maker I began to obsessively collect was Andy Milligan. He was a New York frustrated artist.
People have called me everything. Every word in the dictionary I've been called at one point or another.
Denmark is like a Sylvanian world, but one thing it breeds is malady. The malady is generally in good taste. Opinions are correct. That is the chief enemy of creativity.
The only thing that would really make my mother angry would be if I liked horror movies or violence or Ronald Reagan. And very violent films were a way for me to rebel. You have to rebel against your parents.
I'm a huge John Hughes fan, and I grew up in the '80s, when his films came out. So, my introduction to what you'd call 'cinema love,' that illusion of love, was 'Sixteen Candles' and Molly Ringwald.
I've always worked a lot with silence in my films. It forces the audience to concentrate on what they're seeing, because silence is pure emotions. It has no logic; it goes straight to the heart.
Polarizing is the greatest achievement in any art form, even in cinema.
I thought it would be interesting to try something in Hollywood after a movie like 'Valhalla Rising,' which I was really pleased with, personally.
For 'Drive,' we needed the songs to dictate emotions and really bring you into the mind of The Driver; he's a unique and complicated guy, so the music itself had to be unique and complicated.