If I'm put in a situation where I am not really sure what's going to happen, it can be overwhelming. I get a bit anxious.
At least in my performances, the audience has become so diverse in a way that I don't think ballet has ever experienced.
I don't want to be anything else other than a ballerina. I love what I do outside of my work, but at the end of the day, I have to sacrifice.
I was seventeen when I moved to New York. I was nineteen when I joined the main company. I was going through a lot. Just becoming an adult and just wanting to fit in, be accepted, and be in common with the other dancers.
I think that the ideal physique and look of a ballerina is always changing with different eras. And it's continuing to change.
The classical ballet world is so exclusive and small, and a lot of people don't know about it.
Growing up, I was surrounded by R&B and Hip-Hop, and the closest thing I could find to dance was gymnastics which I watched on TV. So, I just used those avenues I found available right in my milieu to express what was inside of me.
'The Company' was interesting. I didn't love it, although it might be compelling to someone who isn't a dancer. There wasn't a lot of dialogue, and you were just kind of observing the creative process of choreography and in class.