Most ballerinas take their first ballet class when they are 5 or 6 years old. I was 13 when I took mine on the basketball court of the San Pedro Boys & Girls Club in California.
I've gotten nothing but warmth from the Black community and positive feedback.
I wanted to open the dialogue about race in ballet and bring more people in. It's just beautiful to see the interest that has exploded for such an incredible art form that I will forever be grateful to!
Being in ballet class, being on the stage, being surrounded by my peers at American Ballet Theater every day, keeps me so humble and grounded. Being in ballet class, I feel, is like this meditation for me every morning.
I want the ballet world to be given the respect that it deserves and to be seen by more people - for so many to experience the beauty that I've received from the ballet world.
I was definitely a late bloomer and didn't really come into my own until I was probably in my 20s.
I would have young dancers come to me and ask me questions and want to know what my experiences were like: 'What's it like being a black dancer?' So I just felt like it was necessary for me to share my experiences with them.
A young girl reached out to me to be her mentor one day, which I didn't really know anything about. What I did remember was what it was to be alone as an African-American dancer in the ballet world and wanting to connect with someone who looks like me.
Whenever there was chaos in my house, whether it was arguing, being in a cramped space with all of us kids and screaming, I found an empty space where I could just put music on and move.
I have the opportunity, which most people don't experience nearly as much, of being in front of a mirror up to 10 hours a day. Staring at your body, you really get to know every little detail of how to make yourself look your best.
Being one of the few African American women to make it to this level in a classical ballet company, the level of American Ballet Theatre, takes a lot of perseverance.
It's hard to change someone's ideas when they might not even really consciously know that they're being racist, or have racist ideas, just because ballet has been this way for hundreds of years.
I've always approached my career and my life, you know, one day at a time, as if this was the last day that I'm going, because you never know as an athlete and as a dancer. You never know what can happen today, tomorrow.