I love pizza. I want to marry it, but it would just be to eat her family at the wedding.
I listened to this interview once with Jerry Seinfeld that really influenced my comedy and all of my writing, which is that when you're starting out in comedy, it's the audience that tells you what's funny about you. And you need to listen to that and make a note of that.
The ability to workshop in stand-up comedy is incomparable to any art form, in my opinion.
Creepy people do the things that decent people want to do, but have decided are not a great idea.
I grew up in Shrewsbury, Massachusetts and went to college in Washington D.C.
I end up talking about really mundane things with my fans, and then they're kind of like, 'This is boring. I want to go talk to somebody else.' I think I bore my fans to death by over-talking to them.
I would say that I love pizza so much that sometimes I eat pizza while I'm eating pizza. Like, I'm so content with myself with how it's going that I'm like, 'I should do this more,' not realizing that the mouth is full. I'm just cramming pizza into my mouth.
When I started out, I really struggled as a comic because no one knew who I was, and sometimes I was telling stories, so it would take a while for people to get on board for things.
Once you've made your first feature, you know what you can do wrong and how hard it is to shoot a feature. Before you do it, you just don't know how hard it is. Once you've done it, when you're writing a second one, it's almost like you're preparing, and it's almost holding you back.
I think the thing I had to be careful about while writing a book was not to say anything that was revealing about other people that they would be uncomfortable with. I didn't want to make people angry - that's a real risk.
The Comedy Central CDs combined with the TV specials are what led to my stuff being traded and passed around, and a lot more people knowing my jokes than I thought.
My wife and I always comment that our lives are relatively mundane. She's a writer as well, I'm a writer, we spend most of our time writing, and kind of going to yoga in Brooklyn.
The one thing you're most reluctant to tell. That's where the comedy is.
The thing with film is that it's so wide-reaching compared to comedy. When I release my comedy special, half a million people will see it. If I release a movie, five to ten million people will see it.
You don't really see sleepwalking in films that often. It's weird; I feel like in popular culture we have the perception of sitcom, arms-in-front-of-your-body sleepwalking, and then maybe Olive Oil and Popeye when she sleepwalks through the construction site. But it's all very cartoonish, in some cases literally.