I want to act every second of every day.
Good horror is about so much more than slashing: it's a way of examining grief and loss of self.
The people I look up to most are actresses such as Kate Winslet and Amy Schumer, who have never been size zero and are judged on their bodies of work, not their bodies.
When you're younger, you have a perfect plan for your life: I thought I would be engaged at 24, married at 26, have my first child at 28 and my second at 30. But as you get closer to each age, you realise it's unfeasible.
The pressure to look good is intense. It is hard to be immune to that and the self-consciousness that comes with it.
I never wanted to take off the pink gown I wore to the 'Gypsy' premiere. It was a magical dress for a magical moment.
For the red carpet, I like a platform heel, but for everyday, it's mostly Converse high-tops or booties with black tights.
When it's a real person, you want to be as honest as you can and approach it in a similar way as you would any other character, but with that restriction and wanting to respect the boundaries of that person and not be intrusive in any way.
When you love someone absolutely and want them to be their truest self - even though that means losing them in some capacity - that is the most important thing.
As soon as we stop trying to put boxes and labels to every relationship and dynamic, we'll be so much more liberated and at peace.
If you stop trying to restrict yourself by defining yourself and love in other people's terms, it's the most liberating thing.
I've always been really terrible with horror films. I scare really easily and can't stand all the violence and gore.
I never went to drama school, but I was really lucky in that both my junior school and secondary school had brilliant drama departments.
I really enjoy being busy and feeling completely immersed in work, knowing I'm working as hard as I can.
I've been working for, like, 10 years now, which is a very strange thing to say when you're 23.
I thrive on that nomadic lifestyle.
It's impossible not to be aware of the Ryan Murphy empire, but he is so kind and funny, and you feel in such safe hands every day.
Because I started at such a young age, I went in with a 'take what comes, do what I'm told' approach.
'Sing Street' was the first time I'd worked so collaboratively.
I'm quite tentative when it comes to biopics because they cross a line into intrusiveness or exposing someone who isn't alive or around to draw a line or defend themselves.
