'One Part Lullaby.' It was our big major-label record. People reference it quite a bit, but it did absolutely nothing. It's like the 'Kids' soundtrack. It did nothing. It didn't start anything for me.
Some people play steel string beautifully, but I'm not exactly a world-class picker.
When I first started writing songs, I did play with my fingers, and I had these kind of weird strums. There's, like, three or four strumming patterns that seemed kind of unique to me.
I have to focus and keep things together as much as anyone with a real job... It's just that I know, from experience, that the more fun I have doing something that the more successful it will be.
NYC is a wonderland full of passionate music fans. Once I got over being intimidated by rock critics and finicky hipsters, I realized that NYC was a great place to play.
I don't know what ontological means... I barely graduated high school, and I have never heard that word in conversation.
I love making records, and part of really doing that and being happy about it is just that each time I've done something, I come to terms with what maybe is wrong with it, and then I move on to the next thing.
One thing about when I came back into Dinosaur that was really cool was that pretty much anybody that J. was working with who had a long-term relationship with J. were people I really liked and that I actually may have already known.