I'm not a broad comic, but I think I can be funny and I think I make people laugh.
I was dreading all of the ghost stories of working on American television, not in the least, the length. In Britain, a series is six episodes of an hour drama, maybe sometimes eight, but never twenty-two, so I was petrified of that.
I've worked in the theater, television, and films. A five-hour TV series is certainly more time than a character I'd be playing in a film.
I've written virtually as long as I've acted, it wasn't a sudden transition. I acted in my first play when I was 16 and I wrote my first play when I was 17.
When I was growing up and watching 'The Sweeney,' the notion of police officers being an inch away from the villains that they're chasing was commonplace.
I like arriving somewhere and taking a left when someone tells you to go right. When all the tourist signs are pointing one way, it's exciting to go the other.
I particular enjoy the crime writer, Walter Ellis Mosley. He does a series of Chandler-esque detective stories.
I was focused on either being a social worker or physiotherapist. That was the direction I was going until I met a girl who wanted to be an actress, and I wanted to be close to the girl, so I followed her into an audition.
In the kids' home I was in, there was very little change of staff. People stuck around, and they stuck around because they were being paid enough to stay there and raise their families. If you're not supporting the people looking after the kids, you're not supporting the kids, and you might as well chuck them all in the bin.
I don't remember when I didn't know about Martin Luther King.
My foster mother wanted to create a family home. For me, she had made a place that I felt I could always go back to, and that was what she was trying to do for these kids.