Even when I played in little league as a kid, I liked making friends, but I didn't want to be there, really.
The last blue collar job I had, I was 29. Even 'Childish Prodigy,' I had a day job that whole time. Those early ones, they feel like psychedelic, blue collar records. Especially 'God Is Saying This to You,' there's such urgency in that album.
I got depressed so many times by my blue-collar life and self-conscious about the fact that I didn't go to college. I was always working super low-end jobs, being the complete opposite of what I wanted to be.
Anybody that's from somewhere that's made it in music outside of New York or L.A., if it's a unique enough place, they'll always say, 'Dude's from Minnesota!' Or wherever, you know? So that's how I got the Philly connection.
The real reason I was lo-fi before was really just because that's what I could afford.
I write a lot when I'm feeling bummed, but other times, you get locked in, and it's totally personal. If you're really low and writing, you're not thinking about anybody at all.
I like New York. I like Philly. I like San Fran. I like when people are stoked. But Chicago's a real music town, and they're really good to us there. There's just something in the air there; people are just really stoked about music. Every time I go there, I have a great time, and the fandom is really heartwarming.
When I was a teenager, I was mostly getting tapes and CDs, and somebody hipped me to the fact that you can get things on vinyl that are not necessarily available on any other fomat.