I try to avoid mirrors.
If you think back to the great French directors it's difficult to think of British film-makers who are comparable.
I think it's time British filmmakers stopped allowing themselves to be colonized so ruthlessly by U.S. ideas and stopped looking so slavishly to the U.S. market. It demeans filmmaking when they do that.
How families interact is not some abstract concept of mother, son, father, daughter; it has to do with economic circumstances, the work they do, the time they can spend with each other.
For the writers I have worked with and for me, the relationship between the personal comedy of daily life and the economic context in which that life happens has always been very significant.
I wasn't from a political family. Nobody talked politics.
I hate programmes where some TV personality looks you in the eye and tells you what to think - the Andrew Marr version of history. I hate the authorial voice telling you what to think.
Ordinary people can be very articulate and very eloquent.
My father worked in a factory and as a child it felt very secure. It felt very secure because everybody had work, the schools were free, so there was a security of knowing that the war had finished and families would come together again.