Trends come and go, and style evolves. It's important to have pieces of jewelry that are timeless and look chic despite ever-changing fashions.
Research on the Internet, research what people say about the vintage stores, look online to see if customer service is good because that's really important. Also to see online what other customers say.
As a model, I am at the mercy of everybody else. It's much more of a situation where I go to work, put the clothes on, get in front of the camera, and then go home. But in that process, I never really have control over any of it.
At some hotels, I feel like I have to be dressed to the nines - perfectly eccentric - to walk out the door.
There was this moment, particularly after I had my first child, where I felt like, 'I don't know if I'll ever make a record, or if this is always going to be something just floating around in my head.'
I think Jennifer Lawrence is a brilliant role model for young girls, not some of the models that I see on the runway.
I feel Dress for Success is basically about empowering women who were in a disadvantaged situation. The act of wearing a suit when she's walking in the door, it's so powerful - it's about gaining control of their lives and situations.
Ultimately, I've learned to pride myself on being quirky. I very much adore people who are outcasts, and I've always loved to be around interesting, circus-type people.
I am obsessed with the Great Depression and with former showgirls - and the Victorians - the idea of wistful, dark romance.
The interesting thing with fashion is that it's really a massive daydream.
I feel like somehow I'm living my life mentally in reverse. It's taken me to my 30s to feel relaxed and comfortable in my skin. I think I'm going to be dancing on tables when I'm 50. I really hope I am.
I've been in a New York City-based cabaret for the past seven years called The Citizens Band. It's possibly one of the most brilliant things I've ever been involved with.