You know, I'm a 6-foot Black man, and I'm built the way I'm built. Driving is a very stress-inducing thing for me to do.
As a boy and even now, I am wont to melancholy. I do, probably once a day, experience a sincere heartbreak.
I look for what responsibility the character has in telling the story. If you remove the role from the story, can you still tell the story properly? And if the answer is no, then I'm interested.
I came from a very military, Christian, Southern upbringing.
I have nine years of scholastic actor training, and what I've learned is that training does not an actor make. You have to have an artful way of looking at things. You have to have a certain point of view. And you get that point of view through experience.
If you're not on set, if you're not on stage, go to class. Find teachers you trust and who push you and who you respect as people. That's what you're getting with a teacher: a point of view. You end up taking those points of view and that turns into your point of view as an actor.
Growth is uncomfortable; you have to embrace the discomfort if you want to expand.
In war, the first thing that goes, when you try to take over culture, is the statues. I think we all can recall statues with their heads cut off in museums.