I remember when I saw 'Eternal Sunshine of the Spotless Mind,' I wanted to go out and direct a movie right there on the streets of Manhattan. Unfortunately, you can't without permits.
I held down as many jobs as I could find, from being a waiter to working at a yoga studio and as a ticket-taker at a small theater company - anything that would allow me to go out and do auditions.
I was one of those kids who had never seen an indie film before I got to college. If it wasn't a big, huge tentpole movie, or if it wasn't on the radio, I hadn't experienced it.
All relationships are a learning experience, even ones you continue to be in. If you don't see them as that, then that's a problem.
To me, it seems like both 'Brief Interviews' and 'The Office' deal with characters that see themselves differently than the world sees them.
It's definitely particular to each situation, but whether it is a long history or someone that you're intimidated by or someone that you didn't think you ever had a shot at, at the end of the day, I think we're all living through high school, every day.
I had done one failed pilot. I remember, when it failed, I was like, 'Oh my God, how does someone survive this? That's it - that's the end of my career; it's over.'
I think we all have a responsibility to tell good stories.
By being a waiter 100 percent, I think I was a lot like any other actor in New York. I had credits because I'd work lunches during the week, and then on a Wednesday would go be lucky enough to be in a movie like 'Kinsey.'
If you did go to high school and then college, there's definitely a solidarity with someone that is from your hometown and knows your mom and all that stuff.
People aren't throwing themselves at me, but I also don't go out very much. Like, when I do go out, it's for breakfast, so it's a little hard to throw yourself at me during breakfast.