There's some of me in all my characters.
My whole life, as an adult as well, I've been attracted to stories about young people. This period of time is so fertile - there's a million things that are happening, a million firsts, and to be able to witness that and record that is a privilege.
I just think of myself as a writer. Yes, I'm a woman. And I'm a writer. The main challenge is that I like to write stories about young women, and society doesn't place much of a premium on young women's stories. And I think that's why I gravitate towards it. I really honor that, and I treasure that time, and they should be given that respect.
Beyonce, Otis Redding, Led Zeppelin, Stevie Wonder, and Adele are a few of my favorites.
I don't think you ever love anything as passionately as you do when you're a teen. You remember the books you read as a young person your whole life. I feel so lucky to write for young adults.
The feedback for 'P.S. I Still Love You' has been pretty amazing. To have written this story about this family with Asian-American characters and be so embraced is really incredible for me as a writer as well as a person of color.
I think, generally, romantic stories end with people together. But I'd like a story that ends, like, hopefully but not necessarily neatly.
I think that, oftentimes, what people say is, 'We need an actress who'll be able to greenlight a movie,' and my counterargument to that is always that, when it comes to a teen movie, you have very few people who can greenlight a movie.