When it's good it's great, it's really great.
I still get recognized for 'Labyrinth' by little girls in the weirdest places. I can't believe they still recognize me from that movie. It's on TV all the time, and I guess I pretty much look the same.
People who are incapable of having any kind of intimate relationship have to turn to feeling this incredible hunger and void, have to turn to some quantifiable external product to make them feel whole.
I try to stay focused on my life and do try not to be brought into the Hollywood fantasy.
It was, when I read it, I thought, such a beautiful script. I loved the story. I thought it was well handled. I thought it was even more moving because it was a true story and that made it even more poignant.
I almost moved into a place over a funeral parlor. My father said, 'That's just too macabre,' but I thought I'd be embracing my mortality. I told him it would keep me grounded - like when people get skull tattoos.
I wasn't brought up with any religion at all. At school and in my early 20s, I read every religious text I could get my hands on - Buddhist scriptures, Hindu texts, the Qur'an, and the Bible. I wanted to feel like something made sense to me, that there was something sacred I could feel aligned with.
I felt for a long time that this is what I want to do so I'm happy at this point to just take my time and work on projects that I feel strongly about, and the rest of the time just live my life.
I can't comment on any outside perception. I'm happy to come out and talk about movies that I've worked on in a setting like this. Otherwise, I have my own life that I live which is very different and private.
Everything changes as a mother. Yes, work has changed. The projects that I choose are even more important to me now. The world he's growing up in and the kind of stimulus that is out there; they are so precious and I'd do anything to protect him.