I just enjoyed bar mitzvahs as a kid, and there was this company in the Detroit area where I grew up, and I think they recruited me as a party dancer - you know, like, you dance around and pass out glow sticks. I quickly rose in the ranks and, within a year, became an emcee, which was kind of unheard of.
There's a film I did called 'Front of the Class', about a teacher who had Tourette's. That was a beautiful blend of drama and comedy. There's some great moments of levity in the script.
I had such a broad array of classes, in improvising, in clowning, in Shakespeare. It was so great to just be inundated with all that.
My character on 'The Crazy Ones' is entirely different than Bob Benson. If these guys ran into each other at a bar, I don't think they'd have much to talk about. They're really different guys.
I had just finished working on a play, and we started to talk to the 'Happy Endings' folks. There was interest from both sides, which was exciting, because I thought it was very fresh. Adam Pally's just a really funny, talented dude. I thought I'd be great to jump on and do some comedy.
You can find old Jewish newspapers from Detroit that have my promotional ad in them. It was a totally insane time in my life. Paul Rudd was also a bar mitzvah emcee, you know? It was like being a local rock star in Detroit.
In Michigan, if you want to act, it's local theater, it's high school theater and it's going to camp and putting on plays in the summer, and I always loved doing that. There was something that just drew me to it.
The 'Lone Star' experience was tough at the time, but it really allowed me to look at things from a 3,000-foot high view. You can think something is the greatest thing in the world, but, as we know, anything can happen. It really taught me that I always want to make choices that I believe in artistically. No one can take that away from you.
I like to dance, but there's nothing professional about it.