I heckled somebody at the U.S. Open once. And you know, tennis, it's not a good place for that.
I got a horror film, 'The Burning,' and suddenly I was making crazy money, like a thousand a week, so I moved into an apartment on Amsterdam with a guy who was also in 'The Burning,' Jason Alexander.
With 'Broadcast News,' it became a non-issue, and with 'The Piano,' it became a non-issue. Both parts were written for more statuesque women. It was nice to change people's minds about that, because that's neither here nor there.
I was born and raised on a farm, where boys had chores and girls did not, i.e., drive tractors, bale hay, take care of cattle.
I'm not a classically beautiful person, but hopefully it increases my longevity as an actress that my career isn't dependent on my great, great good looks.
In many parts, I start from the outside and then it triggers things within. For 'The Piano,' I went, 'I'm going to learn these piano pieces. I'm going to learn this sign language, and I'm going to do them all day every day, five days a week.' It was a totally physical thing.
I believe that there is good. I believe there is evil. Do I believe that they come from God who is watching us conduct myriad never-ending wars and looks benignly on because there's higher purpose to all of this? I don't think so.
I'm a practicing Catholic. And faith is very, very important to me. It was pounded in my head as a kid, and I hated it. And I sort of lost my way in my 20s and part of my 30s and then found my way back. And I don't know what I'd do without it. It's huge in my life.
Being somebody who's like a theater geek that I am, I can just go right back to Aeschylus and Euripides and Sophocles: they were writing about gods and goddesses versus humans, and how gods could distort, pervert, or help people get what they want.
There's no way that anyone can know the ebb and flow of one's career. You can't know that. You can tell young actors it's going to be very difficult, but there's no way you can understand the difficulties and the rewards through description. You have to cellularly experience it.
It's considered a coup to become a lead on a kind of cutting-edge television series. I mean, that's a plus for your feature film career and for your career in general. There are no walls anymore between the two.
The self-help section of national bookstore chains in America is one of the largest sections. In a way, it's nothing new, and in another way, very new. People have always searched for answers; that's why we have religion. People have always been seeking some relief from their own mortality.
It's great to go to the cinema and have a conversation about something that is almost taboo.
This is one of the reasons I like to act - it's because acting forces you into situations you don't know.
So much European cinema has open arms to stories carried by women in their 40s, 50s, and 60s. And America is a little behind in that.
I moved to the city in August of 1980, and someone I thought was a friend had an apartment in this wedding cake of a building, so I slept on her couch for a few days.
I love to look at physically beautiful people, and obviously others do, too. But there's such a narrow definition of what that is; the people who are my friends in life, the more I get to know them over the years, the more beautiful they are to me.
Mothers and daughters can stay very connected during teenage years. In the middle of your life, you can become very alone. Even though you're connected deeply to other family members, lovers, husbands, friends.
I'm from Oklahoma City, and there's a statue across from the site of the Alfred P. Murrah Federal Building of Jesus. It's called 'Jesus Wept.' And I love this statue because it's a statue of Jesus with his head in his hand. And his sadness and his pain at some of the choices that are made here - that just breaks his heart.
If you've had intimacy in your life, you can be intimate onscreen. I mean, come on - I didn't know how to hold a gun, but I could play a cop.
