My vision is a blend of the old school and the new school, but with zero rules.
I wanna take a step forward, and I also wanna make sure that step forward is the step that I want and that I'm not being pressured by life. You try and get better at doing something, and a lot of the time, it's because somebody told you that you needed to be better.
'Say It Loud' came from many, many small battles. From, 'I hate myself, and I hate this,' to, 'I love this, and it's my favorite thing...' to, 'This is the best thing in existence.'
No matter what happens with EDM, I would like to go to New Orleans and just play with one of those small funk bands in an intimate venue. How cool would it be to work with a band with those huge horn lines and produce all of that great funk that makes you just want to party?
I never really had the chance to play the kind of music I wanted to play. It was always just classical. It had its limits. I play piano now and again in the new forms of music that I actually want to play, but at the time, it was something that I just kind of moved past.
In this day and age, I really just don't want to sell people on something. I don't want to have to sell you sound. I don't like selling emotions. Or ideas. I just want to give you these ideas and inspire people.
The most important thing, to me is the intention of where things come from, like, why did you use it? What were the intentions of what you did? And if the intention is good, the intention is pure, then everything will turn out good.
I like mixing things up. That makes it more interesting. I love mixing in slower funk with what I do. I'll add drum and bass and put my foot to the gas pedal and press it to the floor.
I was a huge fan of '90s hip-hop, and a lot of what they got their music from was funk and soul records. They just, like, take a clip of that and rap over it because, you know, that was just kind of what was up.
My whole thing, to keep myself interested - and, you know, I'm a huge hip-hop head - I have tons and tons of a cappellas. So I do these live remix mash-ups with my tracks and just throw them in there.
When you first start photographing a show or being into photography, you might think it's cool to see people with their phones, like, 'It's so novel; everyone cares about this moment so much,' but then it becomes... trite, y'know, and shallow. I think the best moments of my life have been spent without phones.