Geoffrey Rush
Geoffrey Rush

I'm a very amateur scientist. For me, it started with the Mercury space program and onward to the moon landing in my impressionable adolescent years.

Geoffrey Rush
Geoffrey Rush

I dreamt of being an astronomer; I had a series of 'How and Why' books on the planets and the stars. At that stage, there were only 14 galaxies; now there are multiverses, dark matter, the nano-microscopic world of the interior of atomic structure.

Geoffrey Rush
Geoffrey Rush

Being in my more senior years now, you hope somewhere along the track that you're going to get to collide with a role that feels very special, and Einstein is such a magnificent figure.

Geoffrey Rush
Geoffrey Rush

I don't like the ocean. I'm not a natural swimmer, even though I come from Australia. That' a terrible thing to say.

Geoffrey Rush
Geoffrey Rush

Some people are very good at being themselves and being very natural on screen or being very sexy or handsome or whatever. I like that, and I aspire towards that, but I don't know if I always make it. I work very hard.

Geoffrey Rush
Geoffrey Rush

I was not the young heroic model for 'Hamlet.' I tended to play those characters that orbited around them: the rogues and the rat bags and the idiots and the fools and the clowns that sway the plot somehow from a tangent.

Geoffrey Rush
Geoffrey Rush

As an actor, I'm ambivalent because I'm focused on the other person and what they're giving me, what I need to be giving them, and what the character is thinking.

Geoffrey Rush
Geoffrey Rush

With 'Call Me by Your Name,' they locked off the camera and let scenes play out in long, wide shots to make them feel almost voyeuristic.

Geoffrey Rush
Geoffrey Rush

I'm in 'Gods of Egypt.' It was CGI on a level that I've never encountered. You're in a blue environment on a mirrored floor because that's going to be looking like Ra the Sun God's boat. In the studio, it was like I was in a Robert Lepage theatrical piece.

Geoffrey Rush
Geoffrey Rush

I'm so envious of certain actors that have that natural facility to hear a cadence and the rhythm of an accent, that it goes into their brain and just comes out. Chameleon voices.

Geoffrey Rush
Geoffrey Rush

A huge part of what we do as actors is learning to ignore the camera, as if it's not even there, while simultaneously being very aware of the camera and what it's capturing, because you can give the best performance of your life, but if you do it with the back of your head facing the camera, it's going to get cut from the movie.