I have a disturbing problem with losing things. My vulnerability to loss-distress could properly be labeled not only inordinate, but neurotic.
There were several things a Yale freshman was supposed to be able to do. You had to demonstrate in the Olympic-size Yale pool that you could swim 50 yards or be inducted into swimming class.
The very phrase 'Oscar night' used to accelerate my pulse. For one thing - dating myself - it meant Bob Hope. He always had good, strong jokes, that faultless delivery, and always a new joke about his own films' failure - once again - to be honored.
My dream was maybe someday, one night I can be a guest on a talk show, and then I will have achieved everything I want.
Teaching is an art and a profession requiring years of training.
Years have passed since I have set foot in a comedy club. If the comic is doing badly it's painful, and if the comic is doing brilliantly, it's extremely painful.
Being the offspring of English teachers is a mixed blessing. When the film star says to you, on the air, 'It was a perfect script for she and I,' inside your head you hear, in the sarcastic voice of your late father, 'Perfect for she, eh? And perfect for I, also?'
Statistically, I'd say comedy writers are perhaps the sanest category of show people. And why not? They make big money, and although it's not an easy trade - particularly when you're at your galley oar five days a week - it's easier on the nerves and the psyche than living with the brain-squeezing pressure and cares of being the Star.
I'm not sure why writing for others became harder. Probably a reluctance to give away anything you might conceivably use yourself caused a block. I did it, but it remained hard when it had once been easy.