Growing up, my parents were Roman Catholic - strict Catholics - from New Orleans. I understood the idea in the principle of spirituality. I noticed it in the stories that I read. The Trinity was something that was brought up consistently: the power of three. Things happened in threes, and I thought that was brilliant.
Besides music, I was all school, school, school. And softball. I played the game since I was four, and I wanted to go to the Olympics for softball. I got a full scholarship through softball.
Music and dance is part of everything in New Orleans. So I grew up appreciating it all.
I couldn't do a record without knowing I'll translate it into something visual.
I want to get up and celebrate something - and why not celebrate being a woman?
I just want to be a storyteller, and I think the way to do that is by your lyrics, by your visuals, by your choreography, by your dance. It's imperative as an artist.
My father's music is all I remember from my childhood.
I can be a little messy and wild and carefree with my creativity as a solo artist. In a group, there's a certain structure, and everyone has a part to play, and being a solo artist, I can do as I please.
I've grown so much in the music industry. From 'GoldenHeart,' it was just about me and the music and me in this dream. With 'BlackHeart,' its more about me and who I am and what role I play in my own life and in the business.
Instagram is just something I like to do. I feel it's the best way to portray who you are.
I had always had an affinity for series in literature, and I thought it would be really cool to incorporate what I loved about books into the story of music, to pile it together.
Songwriting was my own journey. I never fit in with structure in songwriting.
I did write more mainstream stuff with DK. But you could always tell the records that I wrote in contrast with everybody else's because the format was a bit different. The harmonies were used in a different type of way. Way more metaphors in the mix.