There are a lot of techniques for developing a character.
In this fragmented world, with such short attention spans, you've got a couple of episodes to make an impression. And if you don't, you start to lose your audience in a big way.
Once I started working as a professional actor, it was like, 'Bye-bye waiting tables, bye-bye bartending, bye-bye all the cliched jobs actors do.' But after a year of not getting work, there's this really difficult conflict, like, 'Do I have to go back to being a waiter when people recognize me from a show?'
I have a psychology degree, but I was a real theater rat.
At one point, I was seriously considering playing Huck Finn in a production in Northern Maine in the dead of winter.
I think what's most fun is playing someone who's sort of selfish and in a lot of ways unlikeable, but there's this really big heart underneath it that you get little glimpses of.
When a character does something appalling but you still want to root for them, I find that the most exciting challenge to play, if you can pull it off. You're not supposed to like it, but you can't help it.