I'm not really a knob-twiddler. I always work with an engineer; I'm not super hands-on when it comes to mixing boards and computers. I'm much more about what I'm hearing and what it needs to be like. I deal with songs and ideas and instruments.
When I don't have a good time making music, I think of quitting a lot. I really do. I can create something else. I'll do something else.
I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves. Then you can edit or mess around with what they've come up with. But you have to allow the artist that space.
When you're younger, you have ideas and visions of what you're going to be like when you're older and what love is going to be like and who you're gonna be married to and all of these different things.
I have no shame in making music that maybe, if you listen to it long enough, you'll realize you've heard this or that part of it before. I'm still very excited by an amazingly written song, so that's really the thing that I work on when I make records with people.
Basically, the way I do it is I get to work with a bunch of people; get a bunch of great people together, and you'll be able to get something cool on the other side.