I had become obsessed with the control-freak aspect of photography and with the rising importance of the image in our social media age it ended up working.
I focus on different parts of the body on different days. It's usually high-intensity circuits and a lot of body weight stuff.
I was having a dilemma whether I wanted to return to acting at all because I was coming from this sort of agency-less childhood career, and I'd never made the choice to go into acting.
Jughead is one of those characters that takes the opinions of his father really seriously and probably seeks a bit of validation from him.
To even be a working entertainer in Hollywood is such a rare privilege.
There were points I wanted to stop acting. We got so busy and didn't get to see our friends a lot, and I was like, 'Wow, I'm kind of over this.' But then we started really having fun on 'The Suite Life.'
It's pretty inappropriate of fans to think they can expect any kind of narrative from showrunners or writers or actors. I just don't think that's the way you should engage with material that you're watching as a passive audience member.
I had a really, really hard time working with Aniston because I was so in love with her. I was infatuated. I was speechless - I'd get all bubbly and forget my lines and completely blank. It was so difficult.
There's an incredible amount of loneliness that comes with child stardom because you're isolated from your society.
I had a really complicated relationship with acting for a long time.
I took a break from acting for a little bit, came back, and didn't know how it was going to be, but I had so much fun. I really had, like, a reinvention, a renewal.