My drawing for women is really curvy. My drawings for men are actually quite angular.
What was called extreme 20 years ago definitely isn't extreme anymore. When I started, I remember people saying, 'Oh my God, I can't walk in that!' It was like, three inches - they look like kitten heels now.
I mean, the shoe - there is a music to it, there is attitude, there is sound, it's a movement. Clothes - it's a different story. There are a million things I'd rather do before designing clothes: directing, landscaping.
I perfectly understand the obsession with shoes. I myself am pretty obsessed. I have a few hundred pairs of shoes in general, because I've been collecting shoes for a long time.
Even if you don't like colours, you will end up having something red. For everyone who doesn't like colour, red is a symbol of a lot of culture. It has a different signification but never a bad one.
Designing my shoes, I'm thinking timeless. Not trendy.
One moves more slowly in heels. Walking fast is neither sexy nor engaging. Nobody notices the people who race around. If you're walking in heels, you've got time. It's much more attractive.
My relationship with shoes has always been linked to shoes, women, women in their shoes and performance.
Something I really hate more than anything else is clogs.
I am always surprised by who wears my shoes. This is a good thing. There is no type of woman, but all my women like to feel feminine. They are women who are happy to be women.
I don't give away my shoes to celebrities for free. I'm only happy when people like what I do and make the effort to buy them. I would not be happy to see people in my shoes if I knew that they had to be paid to do it, that they had to be pushed.