When you're a six-foot-four, two-hundred-and-fifty-pound dude, you're not the romantic lead.
Everybody has to take curveballs as they come in life and hopefully have the ability to adjust their plans.
I kind of love that British style: two seasons of tight, compact, good television. The more episodes you have, the thinner the episodes get.
Romance means making yourself vulnerable.
Making a killer breakfast burrito? I got game. Washing the car? Love it. Doing the dishes? I love it more than washing the car.
Sylvester walked up to me and was like, 'Mind if we get a photo?' obviously because I was in all this crazy makeup. I was like, 'No, Sylvester Stallone, I don't mind if we get a photo.'
Joy and happiness don't strengthen relationships - difficulty does.
In the past, I have assumed the word 'vulnerability' equates with the word 'weakness' and 'This Is Us' shows us that it is in fact the opposite.
I certainly like to swing the pendulum and try new things and to do things that are different from the last thing that I did.
I try to make sure the projects that I choose are something that will teach me something new, either about myself or about my art.
I think in telling a good story there has to be ups and downs with any character, and you can't just have everything go swimmingly and you can't just have characters who are supposed to be in a romantic relationship just getting into an argument every episode.
Obey your purpose above all else.
Eventually, it slowly built up, a small job to a slightly bigger job to a slightly bigger job to the third season of NBC's 'This is Us.'
Decide what to go be and be it.
Taylor Goldsmith and I hit it off big time, and so we started writing some songs together.
I try to keep myself in a decently light headspace.
At my real wedding, I wore traditional Celtic garb - a kilt.
